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Evelin is a Dutch cinematographer & photographic artist, hailed by
British Cinematographer Magazine as part of the New Wave in 2019. She was invited to join
BAFTA as Full Voting Member in 2021, and received the Angénieux Special
Encouragement Award at Cannes Film Festival in 2022, which recognises next-generation cinematographic talent - alongside Darius Khondij ASC AFC who received the Pierre Angénieux Tribute. In February 2023 she was welcomed into the NSC (Netherlands Society of Cinematographers) as Full Member.
Evelin is well-known for her intuitive and distinctive imagery, both still and moving. Visceral, textured, intricate, and reminiscent of tenebrism qualities in paintings. She is instinctively drawn to darker stories which unearth the complexities, psychology and fragility of our human existence, psyche, and behaviour. In addition to her love for cinema as an art form and the eternal qualities of film, she’s a passionate environmentalist, biophilic, activist, progressive, yogi, traveller of Planet Earth, and deeply values physical and mental wellbeing. She seeks to create bold, authentic, and authored films from different parts of the world, like Godland (2022), Bones & All (2022), Vortex (2022), Close (2022), Memoria (2021), Magic Mountains (2020), Pieces of a Woman (2020), Sound of Metal (2019), The Lighthouse (2019), At Eternity’s Gate (2018), Suspiria (2018), The Mountain (2018), Unsane (2018), Winter Brothers (2017), I Am Not A Witch (2017), The Square (2017), Embrace of the Serpent (2015), The Childhood of a Leader (2015), Under the Skin (2013), Borgman (2013), Beasts of the Southern Wild (2012), The Turin Horse (2011), Antichrist (2009), Children of Men (2006), Ratcatcher (1999), The Thin Red Line (1998), Satantango (1994), The Shining (1980), Stalker (1979), Soy Cuba (1964). Evelin is currently based in London, and shoots commercials and films worldwide. NARRATIVE REEL IMDB INSTAGRAM CV |
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